Featured in The WSJ, Luxe Magazine, Mountain Living Magazine, Cowboys and Indians, Utah Style and Design, PEAK and more, the Tumbleweed Pendant is a one-of-a-kind art installation. Learn more about this piece at Owen’s design studio: Farmhaus + Co.
Owen creates each pendant from actual tumbleweeds gathered along rural roads near his home in Northern Utah. After carefully sorting, cleaning and trimming, he assembles numerous tumbleweed branches to create a uniform tumbleweed sphere. The result is an organic, yet modern light sculpture.
The Tumbleweed Pendant is UL listed making it ideal for commercial, residential and hospitality settings. To learn more and order please visit our design studio: Farmhaus + Co.
Organic Minimalism at it’s best, this art pendant is made of an actual, naturally shed elk antler. Learn more at our design studio: Farmhaus + Co.
Originally featured in the design section of the New York Times, Owen’s gilded bison skulls add a Western, yet modern flair to any wall.
A single bison skull stands alone but Owen prefers using them as a large scale design medium to creating wall installations.
Wire-wrapping is a signature of Owen’s design work.
Featured in The WSJ, Luxe Magazine, Mountain Living Magazine, Cowboys and Indians, Utah Style and Design, PEAK and more, the Tumbleweed Pendant is a one-of-a-kind art installation. Learn more about this piece at Owen’s design studio: Farmhaus + Co.
Owen creates each pendant from actual tumbleweeds gathered along rural roads near his home in Northern Utah. After carefully sorting, cleaning and trimming, he assembles numerous tumbleweed branches to create a uniform tumbleweed sphere. The result is an organic, yet modern light sculpture.
The Tumbleweed Pendant is UL listed making it ideal for commercial, residential and hospitality settings. To learn more and order please visit our design studio: Farmhaus + Co.
Organic Minimalism at it’s best, this art pendant is made of an actual, naturally shed elk antler. Learn more at our design studio: Farmhaus + Co.
Originally featured in the design section of the New York Times, Owen’s gilded bison skulls add a Western, yet modern flair to any wall.
A single bison skull stands alone but Owen prefers using them as a large scale design medium to creating wall installations.
Wire-wrapping is a signature of Owen’s design work.